Tuesday, November 22, 2016

Social Dancing: 11/18 Edition - Outs & Ins

In Friday night's lindy class we spent most of the time learning a new turn. I have no idea what it's called, but it would start like I was turning towards my left, but turned into a direction change and I actually turn to the right. We practiced feeling a good connection with our leads to really feel that direction change and a lot of focus on engaging the core. Right now it's one of those things that I really have to focus on to remember to do it, but when I do engage those muscles it sure makes a world of a difference! I'm also realizing that I really need to keep an eye on my feet, as since starting balboa I'm putting too much of my weight on the balls of my feet when doing lindy now. Not a good habit to have.

Friday was week 3 of classes since there were only two of us in the class, we completed the normal four weeks worth of class material in just over two weeks. Bonus of having a small class! So we spent a little time reviewing everything we'd learn to date, plus the basics of outs and ins, which they don't normally teach in the level one class. The whole concept of outs and ins is pretty simple, but I have trouble doing it more than a couple times or to a faster tempo without my feet getting all flustered. Plus I have a little bit of trouble focusing on my upper body since the footwork isn't quite natural yet. Whenever I have a moment and I remember I'm practicing the footwork at home and at work; gotta make it a natural habit!

As far as social dancing I was able to stay a couple hours which I was excited for. I had a good time and had some good dances. One guy and I were doing lindy and decided to go into bal, which I was able to do decently considering I didn't see it coming at all.

Thursday, November 17, 2016

Soles 2 Dance Suede Soles | DIY


Soles 2 Dance Suede DIY Review || Explorations in Swing

For lindy hop I've been wearing my Keds knock-offs ('cause I have trouble spending a lot of money on shoes) from Payless called the "Women's Classic Bal Sneaker" which retail for $19.99, but you can usually get them on sale and/or BOGO as well. Straight out of the box they're not to bad; I can turn decently and don't have too much resistance on swivels. But it could be better, hence sueding them.

Soles 2 Dance sells these awesome sheets of suede that have industrial-strength adhesive on one side. You simply trace the outline of your shoe, cut it out, and stick it onto the bottoms of your shoes. Easy peasy lemon squeezy!
You can purchase suede sheets directly from Soles 2 Dance or on Amazon.

I'm pretty boring with my shoes, as I almost always get them in a neutral color (black, white, or grey) so that they match with everything. So I purchased black suede for my black shoes, but they have several different fun colors to choose from. And I have to say, I'm kinda tempted to get the red suede next time.

I've only been social dancing once since applying the suede, but so far I'm really impressed; it stays on the shoes really well and my turns are so much smoother now. I definitely wouldn't hesitate to recommend DIY-ing your favorite pair of sneakers.


The soles before: 

Soles 2 Dance Suede DIY Review || Explorations in Swing

Tracing the shoes.

Soles 2 Dance Suede DIY Review || Explorations in Swing

Applying the suede.

Soles 2 Dance Suede DIY Review || Explorations in Swing

And voila, the competed shoe.

Soles 2 Dance Suede DIY Review || Explorations in Swing

Monday, November 14, 2016

Social Dancing: 11/11 Edition - Feeling Confident


I have to say, I was mostly planning on just surviving Friday night's classes as I ended up with a schedule change at work that had me working on Friday (and since I'm in retail I'm on my feet the whole day). The plan was to make it through both classes and not social dance, but not only did I pull through both lindy and bal classes, I was actually doing pretty well and ended up saying for an hour of dancing afterwards, despite the fact that I had to be up at 5:30am the following morning. But ya know, swing dancing is worth it and glad I did.

The Lindy class went really well. We've been working a lot on refining our technique in regards to pulsing, connection, etc. And for me I'm still trying to remember to take small steps *facepalm* It's a never ending struggle people. After that we learned some faux-Charleston and some variations on it.


Social Dancing: 11/11 Edition - Feeling Confident || Explorations in SwingHowever balboa was really the highlight of classes for me last night. First off, the other girl from last week didn't show, so it was just me and one other guy. So lots of one on one feedback which is awesome. We started off by practicing material from last week and getting more comfortable: some basics, come arounds, lolly kicks, and turns. Honestly I was surprised how natural it was starting to feel after just two weeks of class. Definitely still in the have-to-think-about-whats-happening-after-every-single-movement phase, but actually starting to flow. After that we worked on a few different turn variations before moving on to crab walks. Dun, dun, dunnnnn. Yeah, my crab walks are anything but good at this point. We started off doing them to the (followers) right. That wasn't to bad, other than the fact that you're only moving forward/backward one step before switching directions kinda throws me off. Then we decided to reverse the direction of the crab walks and that was definitely more challenging, especially since you A) can't do a full basic before, which confuses my brain at this moment in my Bal life. And B) switching what foot's going up and down vs across feels so unnatural! Then they decided to have us do a basic, 8 counts of crab walks, basic, then 8 counts of crab walks in the opposite direction. It was that point in class when my brain pretty much exploded. But hey, I tried, and after a few attempts I had definitely improved, though it was nothing close to proper.

After that I debated staying for the dance and staying obviously won. My feet definitely hurt, but they actually weren't any worse than the week before, which was surprising since I had already spent all day on my feet. The dancing started and I think I ended up dancing every song, which isn't hard to do. Highlights were definitely the first song; I just felt like I was following really well and I felt like my swing outs and turns were really good. Then there was the one dance I did balboa and it actually went really well. I had a couple small fumbles, as to be expected, but I was able to keep up well.

The best part is that I'm finally starting to feel confident on the dance floor. Until recently I've always felt a bit timid when social dancing, but now I'm feeling comfortable which makes it even more enjoyable. 

Saturday, November 5, 2016

Social Dance: 11/4 Edition - Beginning Bal & Wearing Heels

Last night the November classes started, and I'm taking two of them; Lindy 102: 6 and 8 Count Transitions along with Balboa 101.

Lindy is going pretty well; we worked on promenades, which went pretty well. My biggest issue, and this relates to almost all parts of lindy for me, is taking too big of steps. My instructor is always getting after me for this one! I really have to focus and remember to take small steps; when I do it makes a world of a difference, it's just been challenging to build that habit. We also worked on our pulsing and getting the timing perfect with the music.


Social Dance: 11/4 Edition - Beginning Bal & Wearing Heels || Explorations in Swing
Right after lindy I have balboa. There are only three of us students, so there's a lot of one on one time with the instructors. We started of with close position and the basic footwork. And then the footwork that you use before going into open position and lolly kicks. There's something really fun about saying "lolly kicks". I'm not sure what it is, but I think I like saying it more that actually doing them. Ha! After my first ever bal class I have come to the conclusion that:

A) Dancing in heels is going to take a lot of conditioning before my feet don't hurt. I don't wear heels normally at all, so my feet were in a decent amount of pain after the hour class. Slowly but surely I'll be building up my heel stamina.

B) That I'll be practicing the foot work every waking moment that I happen to be standing. My co-workers are going to be so confused at first, but hey, gotta get that step-step-hold-step pattern cemented in my brain as soon as possible!

My feet are forever grateful that there is a half hour between when the Balboa class ends and social dancing starts. Not sure if I would have survived past midnight otherwise!

Social dancing went really well. I'm finally starting to get comfortable with my swing outs (*cough*smaller steps*cough*) and since I'm getting more comfortable with those, I'm finally starting to remember to throw those swivels in. Slowly but surely. But I definitely feel like I'm starting to improve a lot with my lindy.

So there were a few times when I'm off casually to the side practicing that bal footwork on my own, you know, gotta get that pattern suck in my brain. Apparently doing that declares to the room that you wanna dance balboa, as I kept getting asked to dance that. Though that definitly wasn't my intention, getting to practice it on the social floor several times was good practice, even though I kept fumbling as I barely knew what I was doing!

Another awesome part of the night was that I got to witness my first jam circle which was so much fun to watch! I can only imagine how crazy those are at big events; watching a bunch of our local dancers show off there best stuff was pretty fabulous!

Wednesday, November 2, 2016

Slow Drag Workshop with Peter Flahiff and Lauren Smith

Photo via Eastside Stomp

Last Saturday was an exciting day as I got to participate in my first dance workshop! I got to spend four hours learning Slow Drag from Peter Flahiff and Lauren Smith and it was amazing. Like floating on a cloud of happiness afterwards amazing. It was so much fun and I learned a lot.


For those not familiar, slow drag is a type of dancing done to slower swing music and is similar to blues dancing. Here's a video of Peter and Lauren doing a demo at Treasure State Slow Drag earlier this year:

Being that I had no experience on how to do slower dances on the social floor, I was pretty excited when I heard about the workshop. And I was even more happy when I realized I already had the day off from work. Whoop whoop! 

Since this was an complete beginner course, we started at the very beginning with close embrace. From there we went on to footwork, which is actually pretty simple as you move forward or backwards on either every beat or every other beat. From there we learned pivots, drags, and a couple different follow styling, one of which I can do pretty decently, the other I'm going to need to practice the footwork on before it becomes natural.

It was crazy how soon the four hours were over. Peter and Lauren's teaching is very easy to follow and to the point, plus they're quite the entertaining pair, so the time just flew by. I'm excited to put some of my new skills to the test on the social floor. Maybe I can look like I know what I'm doing on those slow songs now. That would be a plus. ;)

I have to say though, this workshop has me so incredibly excited to go to some dance events next year. Since I haven't been to one yet, days filled with classes, competitions, and dances sounds like a total blast. So far I'm planning on Camp Jitterbug and Jitterbug Weekend; we'll just have to see what else my dance future holds.